Who Framed Roger Rabbit (1988)

It's been at least 15 or 16 years since I've sat down and watched Who Framed Roger Rabbit all the way through. Not because I thought it was a bad film. I was blown away when I first saw it in the theaters back in 1988. However, I think a combination of watching my old VHS copy to death as well as the inevitable onslaught of Who Framed Roger Rabbit merchandise and subsequent theatrical shorts released by Disney that paled in comparison to the original wore me out for a while.

Over the years I've watched snippets. Either on television or when they would show (repeatedly) on Cartoon Network. But I hadn't sat down and watched it all the way though since I was a gawky teen. Years before I would become a gawky adult.

Until a couple nights ago. I had bought it on DVD a year or so back but haven't made the time to sit down and watch it.

I feel the movie has aged pretty good. Sometimes movies don't age very well because either the story or the humor is stuck in a certain time period or the special effects become extremely dated. Roger Rabbit still impresses me. The combination of live action and animation was not only innovative for it's time but I find it innovative even now.

It wasn't the first movie to do this. There had been several before it. However, it was really the first film to combine the two and make it believable. The attention to detail right down to the filmmakers going to great lengths to make it looks as though the actors were looking right at the animated characters.

A lot of films made either before or after Roger Rabbit, it's obvious the actors were not even looking at the characters. And to this date I don't think a film has surpassed what the filmmakers achieved with Roger Rabbit.

My least favorite artist/animator on the planet Ralph Bakshi attempted a more grittier and adult live action/animation called Cool World about a couple years later in 1990 was met to a very poor reception.

While an audience found the innuendo's of Jessica Rabbit playing "Pattycake" with Toontown's human owner Marvin Acme to be cute (because that's pretty much all they were doing), audiences and critics seemed less than enthused about the idea of human's and toons having relations.

Or perhaps they were less than enthused about the thought of having relations with Kim Basinger either in human or toon form. Who knows.

Although, truth be told, the original novel Who Censored Roger Rabbit by Gary K. Wolf which the film was based on was pretty dark and less than family friendly.

With cartoons almost completely done on the computer nowadays, I really see a film like Roger Rabbit being done nowadays. Sure, you can still do a live action/animated film with computer. And probably quicker than Roger Rabbit was produced (three years of production).

But I feel it loses that warm and quality you can only get from drawn animation and hand painted cels.

I'll be honest with you all. I hope they don't make a sequel to Roger Rabbit. There are some films that were just the right movie for the right time. I feel that Roger Rabbit is one of those movies. And if they were to try and recapture that magic, it would just come off a little paler than the original.

The Pogo Special Birthday Special

I have a real soft spot for Pogo Possum and the rest of the inhabitants of the Okefenokee Swamp. It was the comic strip that first really got me interested in pen and ink artwork. I remember hours upon hours of practicing the way Walt Kelly would do ink the backgrounds in his comic strips as well as his character design.

Kelly started out as an artist for Disney before branching off and doing his own thing with comic books and newspaper strips. But you can see the Disney influence in his style. Especially with Pogo.

This was back in the days when the daily comics were an art form and you weren't trying to fit things into a panel the size of a postage stamp.

It was another comic my Dad got me into through his own love and enthusiasm for the strip. What we both loved the way Walt Kelly would mangle the English language to give his characters a certain "southern hospitality" in the way they talked.

Again, the charm of the strip was not in the punchline in the end but with the way the characters would talk with one another and the inventive words Kelly would create in the same tradition of Popeye and Krazy Kat.

Another artist I love is Chuck Jones. I have probably mentioned it in many of my previous blogs but I would probably go on record in saying that he is by far my favorite animator of all time. Granted not everything he did was a masterpiece. I never liked his Tom and Jerry. But with that said, his great animations outweigh his less successful ones.

So, you can imagine my delight finding out that two of my favorite artists worked together on a half hour animated special called The Pogo Special Birthday Special in 1969.

For years I had wanted to see it. There are only three Pogo animations in existence and I had only seen the claymation I Go Pogo back in the 1980's. Despite having actors like Jonathan Winters, Vincent Price and Arnold Stang, I never cared for it. It had it's moments but I just felt unsatisfied at the end.

I was finally able to get a copy of Kelly/Jones joint venture a couple years ago. I watched it knowing full well that Walt Kelly himself disliked the outcome of the project. It happens sometimes when you have two very distinct artists with two very distinct styles come together. It's not always a match made in heaven because both artists have very definite ideas of how they want it to look.

According to an interview with Disney artist Ward Kimball, in my battered and well-loved copy of Phi Beta Pogo, Kelly was livid how Chuck Jones changed the original script he had written really taking a lot of the teeth out of the story. And what bugged him even more is how Jones gave Miss Mam'selle Hepzibah a humanized face. Apparently when Kimball had dinner with Kelly at a restaurant and asked who okayed this change to the character, Kelly's face turned red and he bellowed, "Waiter! Bring me another bourbon!"

But with all that said, I liked it. Sure, for someone who loves the classic Pogo comic strips it's definitely a watered down version of Pogo. But it's a really enjoyable watered down version.

The Pogo strips were very satirical and loaded with political and environmental messages. A lot of which was a little too grown-up for a younger audience. So, the story written is a cute and a lot of fun.

And in Chuck Jones's defense, he actually sticks very close to the way the Pogo characters look in the comics than a great deal of comic strips adapted to animation.

I remember a Heathcliff and Dennis the Menace series from the 1980's that bore very little resemblance to their respective series's. COMPLETELY changing the character design to some of the incidental characters and adding characters that are nowhere to be found in the comic series.

The characters designs in the Pogo animation looked like the characters from the strip being published at that time and acted in a way that you would expect the characters to act.

What's also a great deal of fun watching the special is Walt Kelly and Chuck Jones practically voice every character with the exception of a few.

Kelly is relatively good doing the voices of PT Bridgeport, Albert Alligator and Howland Owl. Actually, while he's doing PT Bridgeport and Albert, I could have confused him for Mel Blanc. Who did a great deal of work for Chuck Jones both with Warner Brothers and some work with the cartoons he did for MGM.

Jones isn't as good as Kelly is voicing multiple characters. Although, I thought his voice seemed strangely suitable for Porkypine.

It should be said, Porky has always been a character I've felt kind of a kinship with. I think mostly because I can see a lot of my own personality in him. A bit prickly, a little bit of a loner but deep down very well meaning and appreciative of the people in my life who have been there for me.

Or something like that.

You also have the brilliant June Foray providing the voices of Pogo Possum and Mam'selle Hepzibah.

Although there are some weak spots in the animation, which I imagine was due to cost and you really could not do something Fantasia quality on a television program budget at that point in time. But compared to many cartoons being churned out at that time which were increasingly becoming blander and shoddier looking The Pogo Special Birthday Special is quite good and very stylishly done for that time as far as the art and animation is concerned.

If I have peaked your curiosity some thoughtful person was very kind to post the special on Youtube. Try and keep an opened mind watching it and look at it from an art appreciation perspective.

Hi Neighbor!

This was the commercial I took the two characters from. Since there's no real images available to copy, I pretty much sat at my computer pausing the commercial from time to time trying to get the characters right. Kind of like what I used to do with movies as a kid: