I've done a couple of projects over the past couple years where I felt like I needed to take a back seat in the art department and handed over the wheel to two VERY talented artists.
The first is Paul Loudon.
I've done a couple of projects over the past couple years where I felt like I needed to take a back seat in the art department and handed over the wheel to two VERY talented artists.
The first is Paul Loudon.
Second Beach in Middletown RI is my wife and my go to beach day destination. We had our honeymoon down in Newport back in 2011. It's an area we both love.
Movie studios weren't as precious about keeping deleted scenes as they are now. But I was able to find a script online which did contain the scenes ultimately removed from the final film.
My dream project would be to do a graphic novel of the Private Life of Sherlock Holmes which includes ALL the scenes left on the cutting room floor.
I started towards doing that by adapting one if those scenes into a quick comic book which I brought to 221B Con a couple years ago.
Cover seen above.
But I may try to adapt another scenes before 221B Con next year. We shall see...
Late July I did what was probably my longest journey. Which I think beat out both Atlanta and Chicago by an hour or so going to my very first Sherlock Holmes conference in St. Louis.
I had a lot of fun. Met a lot of great fellow Sherlockians. Did a few nice commissions. And I got to see the World's Fair Exhibit at the Historical Museum.
Unlike my last trips, I decided to break my journey into three separate stops. First in Ohio, and then Indiana before finally making it to my destination. The last couple years to Atlanta, I'd drive 13 hours to North Carolina before making it to Atlanta. And its honestly exhausting. Doing this definitely helped. But here are a few highlights from my trip out to the Midwest.
My room in Indiana. Honestly, it was like the Happines Hotel from the Great Muppet Caper. I was waiting for rats dressed as bellhops to take my bags. They offered a continental breakfast. But after smelling vomit in the lobby I thought I'd pass. A Danish out of a machine at a rest stop was a safer choice.
I had done a one day convention in Cape Cod Massachusetts (maybe?) last year. And I happened to overhear one of the artists talking about Patreon. I had one. I knew many of my artists friends had one. But I hadn't figured out how to properly utilize it for my benefit.
I heard the young artist mention he produces 'zines. Many of the artists at this particular show made em. Which was great because I've noticed a trend of less and less artists working on or selling their own books so it was nice to see people getting their stories out there.
Well, during the conversation the artist mentioned that he had been posting the stories on Patreon exclusively before going to print and using the money made on the platform to go towards the printing cost.
I thought that was a really good idea. And restructured my Patreon page so subscribers get a first look at a project I'm working on. Which I've done for my last few projects.
If you're interested, go to my patreon page today. Honestly, I don't charge a lot for a membership:
Well, I don't agree with that anymore.
While I still think the films they did at Paramount (with the exception of the Coconuts) are their very best, I actually prefer A Night in Casablanca over either Opera or Races. Despite the fact most consider those two classics.
The problem with the films they did at MGM was despite their name being on the title, they really weren't the stars of any of those films. They became co-stars in their own movies to the sappy romantic leads. Whereas in the Paramount films you knew they were the leads.
I always preferred Harpo being a bit of a bastard in the earlier films rather than the child like sympathetic character MGM turned him into.
Having watched Casablanca (the Marx one not the one produced by those other Brothers) again several years ago, this almost felt like a return to the feel of the Paramount movies. True the Brothers are beginning to look a bit long in the tooth. But it does give them one last enjoyable outing. Which can't be said about any of their later films for MGM.
And best of all, that over baked glazed ham Allan Jones is nowhere to be found.
Give A Night in Casablanca another try. I did and I'm glad I did.
I did Plastic City Comic Con the year before last and I had a great time. I unfortunately had to cancel last year because it ended up being the same weekend as LI Who. But that's not the case this year and I'm glad I'll be able to attend.
Keith Gleason who runs it is a great guy and runs a great little show. If you're an artist looking to do a convention, I highly recommend Plastic City.
I'll have books, prints and original artwork available for purchase. Both pen and ink sketches and my original comic book art.
I will also be accepting commissions throughout the event. So come find me in the Cole Porter Room this coming Saturday in the city where the pink plastic flamingos come from.
Getting to chat with Katy Manning and gift her with some artwork at Long Island DoctorWho.